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Henri Dutilleux’s Cello Concerto Tout un monde lointain () is so intimately wrapped up in his relationship with Mstislav Rostropovich, the work’s dedicatee. Dutilleux’s rapturous cello concerto written for Mstislav Rostropovich, is the highlight on this sensuous, stunningly performed disc. The music of Henri Dutilleux figured prominently in concerts of the National Symphony Tout un monde lointain? is one of the numerous concerted works.

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The cello line is modal in character and stays in the instrument’s high register. Experience the Digital Stage. Sexy Trippy All Moods. All performances at the Kennedy Center will go on as scheduled, but our public hours are curtailed. A whole distant world Tout un monde lontain; Metaboles; Mystere de l’instant.

Board of Directors National Trustees. The music of Henri Dutilleux figured prominently in concerts of the National Symphony Orchestra during Mstislav Rostropovich’s tenure as music director And in this strange and symbolic nature”. Authority control MusicBrainz work: Rostropovich during his tenure as the orchestra’s music director, and all were conducted by Hugh Wolff: At length the Enigme motif reappears in the counterpoint.

Dutilleux: Tout un Monde lointain etc review – a majestic and mystical universe

And in this strange and symbolic nature. In addition to the solo cello part, the concerto is scored for two flutes, piccolo, two oboes, two clarinets, bass clarinet, two bassoons, contrabassoon, three horns, two trumpets, two trombones, tuba, celesta, harp, timpani, percussion bongos, tom-toms, snare drum, bass drum, crotales, triangle, suspended cymbals, cymbals, gongs, tam-tams, xylophone, marimba, and glockenspieland strings.


A cadenza-like introduction by the soloist punctuated by chords? There is no break or dugilleux between the movements. Back Plan Your Trip. The principal idea of Enigme eventually dominates. Log In Log In. Archived from the original on 3 December The middle movement functions as a scherzo with an extremely difficult solo part.

Tout un monde lointain – Wikipedia

Rather than attempt to convey Baudelaire’s word-images in music, the composer gives us, in purely musical terms, the personal response evoked by the respective verses. Views Read Edit View history. In addition to the solo cello, the score calls for piccolo, 2 flutes, 2 oboes, 2 clarinets, bass clarinet, 2 bassoons, contrabassoon, 3 horns, 2 trumpets, 2 trombones, tuba, timpani, snare drum, bass drum, bongs, tom tom, chime, crash cymbal, medium and small suspended cymbals, triangle, xylophone, glockenspiel, low and medium gongs, low and medium tam tams, marimba, celesta, harp, and strings.

The line is printed in full on the title page of the score: Les sages n’en ont pas d’aussi beaux que les fous! Search Search Gift Shop cart Cart. A song, modal in character. Retrieved from ” https: The superscription comes from the loinfain poem as the title of the entire work:.

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Moreover, each movement is prefaced by a quotation from Baudelaire. You contain, sea of ebony, a dazzling dream of sails, of rowers, of flames and of masts The Death of the Lovers?


This is the first slow movement of the work. It ends with the soloist playing a high A, which is also the first note of the second movement.

DUTILLEUX Cello Concerto “Tout un monde lointain”

Tout un monde lointain Company Description History Past Productions. Jazz Latin New Age. A Whole World Distant? Timbres, espace, movementcommissioned by him, was given its premiere in this hall dhtilleux The Greatest Cello Concertos. Tout un monde lointain The final movement “Hymn” is in the form mondr a vibrant Allegro, though the enigmatic overall feel of the work is still evident here.

The music forms a long arch and ends on a reprise of the motif that opened the work.

The work was initially commissioned by Igor Markevitch for the Concerts Lamoureux and Mstislav Rostropovich around Tout un monde lointain About the Work Composer: Hold on to your dreams: Past Performances National Symphony Orchestra: Slow and extatic ” Ironically, by the time Dutilleux began to write it, Markevitch had been replaced and the work touy premiered by Rostropovich and the Paris Orchestra in Aix-en-Provence in The cello part is consistently in the high register.

The music goes through several nervous climaxes then disappears suddenly toout a suspended tremolo figure played by the cello. There are five movements.